“As the industry moves to a broader consolidation of picture and sound, Warner Bros. continues to expand and develop the full scope of our post production services,” said Waugh. “The volume of production in and around the New York area grows more and more robust, and we are fully committed to creatively serving the increasingly greater needs of the community.”
WB Sound New York, helmed by Oscar-winning sound supervisor and re-recording mixer Skip Lievsay (“Gravity”), provides sound design, sound supervision, sound editorial, re-recording, and ADR services at its state-of-the-art Midtown Manhattan facility (formerly occupied by Digital Cinema).
“This acquisition is representative of our overall expansion of the post production services business at Warner Bros.,” said Jon Gilbert, President, Worldwide Studio Facilities, Warner Bros. Entertainment. “We are pleased to meet our clients’ needs wherever they prefer to post their productions – between the greater Los Angeles, New York, and London areas, we’re truly able to creatively serve the industry at a global level.”
Lievsay’s highly-acclaimed creative team includes sound supervisor and re-recording mixer Paul Urmson, supervising sound editors Eliza Paley and Ben Cheah, and re-recording mixer Michael Barry. Recent features edited and mixed at the WB Sound NY facility include “Into the Woods,” “Rikki and the Flash,” “Family Fang,” “Miles Ahead,” and “Run All Night.”
Warner Bros. began working from the Digital Cinema facility in May 2013. Together with Digital Cinema and Sync Sound veterans Bill Marino and Ken Hahn, Warner Bros. re-equipped the existing re-recording stage and built out eight new sound design and picture editing suites. Marino and Hahn will continue to operate Sync Sound, which was established in 1984. Warner Bros. is planning a number of significant upgrades to the Digital Cinema facility in the coming months to bring it in line with the Burbank and London locations.